Byzantine music (also found in the literature as “Byzantine Chant,” “Chant of the Eastern Christian Church,” “plain chant,” “Greek Byzantine Chant,” “Byzantine Sacred Music,” “Byzantine ecclesiastical music”) is considered by music historians the predecessor of western music.

It is called “Byzantine” because it was developed during the Byzantine Empire, which was founded when the capital of the Roman Empire was transferred from Rome to Constantinople in 324. The Empire existed in the eastern Mediterranean area until the fifteenth century. The music of this “New Rome" in many ways was based on late Greco-Roman musical traditions. Subsequently, it played a major role in shaping the musical traditions of the Latin West and the Islamic East manifesting various degrees of influence.

Byzantine music as a musical idiom is unique in that its particular notation and expression has – through various reforms - been in continuous use for over ten centuries. Today it survives largely within monastic centers of the Eastern Christian Church, such as the Ecumenical Patriarchate of Constantinople (today known as Istanbul, Turkey) and the 20 monasteries of Mount Athos (located in Macedonia, Greece; recently covered in a “60 Minutes” special).